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Still photographs are the most powerful weapon in the world

Still photographs are the most powerful weapon in the world

“The general killed the Viet Cong; I killed the general with my camera. People believe them; but photographs do lie, even without manipulation. They are only half-truths. … What the photograph didn’t say was, ‘What would you do if you were the general at that time and place on that hot day, and you caught the so-called bad guy after he blew away one, two or three American people?” (Wikipedia)

For Adams, the lie was the omission of context – that the plainclothes Lem had allegedly just been cese police but their civilian family members; that Loan was a good officer and not a cold-blooded killer… Like any great work of art, Adams’ serendipitous photograph took on a life of its own… and a tapestry of meanings richer than its creator could ever have intended. (Text from the ExecutedToday website)

Leisure Time

16. Leisure Time is another popular subject. This section features images that range from a 1958 photograph (by Loomis Dean) of an Elvis Presley serenade in the barracks to Stephen Colbert’s 2009 Iraq appearance in a camouflage suit (by Moises Saman). More-intimate moments show an off-duty serviceman sleeping on a cot next to a wall of pinups (by Edouard Gluck) as well as another serviceman listening to music on headphones (by Alvaro Zavala). Army Staff Sergeant erican soldier stationed in Iraq, tending grass that the soldier has grown. (The soldier’s wife sent him seeds from the United States, but he couldn’t get the grass to grow until he purchased sod from a local Iraqi farmer.) (21 images)

Support

17. Support features photographs of people planning operations and supplying troops behind the front, from flying troops and supplies to the battlefront, to making bread in factories and building temporary bridges. One iconic 1942 photo by Alfred Palmer shows women aircraft workers polishing the noses of bomber planes. A 1915-18 picture by an unknown photographer depicts two men working early battery-operated phones. In 2001, James Nachtwey captured a firefighter walking over burning rubble at the World Trade Center in New York. (13 images)

Alfred Palmer (American, 1906-1993) Women aircraft workers finishing transparent bomber noses for fighter and reconnaissance planes at Douglas Aircraft Co. Plant in Long Beach, California 1942 Gelatin silver print The Museum of Fine Arts, Houston, gift of Will Michels in honor of his sister, Genevieve Namerow

Medicine

18. Medicine, divided into two subsections, presents doctors and nurses at work at the front, and individuals who are surviving with injuries. “Wartime Medicine“ presents the conditions of medical operations on the battlefield, from Vo Anh Khanh’s photograph of North Vietnam surgeons working in a swamp to Larry Burrows’ emergency dressing station in Vietnam. “Subsequent to War“ showcases survivors. A 2007 photograph by Peter van Agtmael shows a soldier with a prosthetic leg playing with his two sons and light sabres in a field. A 1985 photograph by Michael Coyne pictures a rehabilitation centre stacked with braces and artificial limbs for the victims of war in Iran and Iraq. Nina Berman’s 2004 portrait of PTSD patient Randall Clunen, from the series Purple Hearts, relates the psychic scars of war. (22 images)

Vo Anh Khanh (Vietnamese, b. 1936) A Cambodian guerrilla is carried to an improvised operating room in a mangrove swamp in this Viet Cong haven on the Ca Mau Peninsula 1970 © National Geographic Society

Peter van Agtmael (American, b. 1981) Darien, Wisconsin, Chromogenic print, ed. # 1/10 (printed 2009) The Museum of Fine Arts, Houston, gift of David and Cindy Bishop Donnelly, John Gaston, Mary and George Hawkins and Mary and Jim Henderson in memory of Beth Block © Peter van Agtmael / Magnum Photos